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Jenya Stashkov
Sheffield-based art critic and artist
Author at
turquoise ether magazine
Blog
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Ayşegül Demir Tatar: Ruptures, Incisions, Adhesions, Folds, and Detachment
Jenya Stashkov
370
Review
Varvara Strelnikova: Minimalism as Reviving Inanimate Spaces
Jenya Stashkov
420
Review
Elizaveta Savrasova: Photography as a Spectrum of Inner States
Jenya Stashkov
380
Review
Natalia Egorova / Xomeless: The Faces of Death in the Landscape of the Modern City
Jenya Stashkov
369
Review
Jiahao Chen: A Vanguard of Gender Fluidity and Tradition in Fashion
Jenya Stashkov
420
Review
Nesibe Bostanci: Video Art as Personal Evolution
Jenya Stashkov
370
Review
“Distant Dreams”
Jenya Stashkov
341
Review
My dearest bones: a few words about Marina Potanina's latest sculptures
Jenya Stashkov
337
Review
"Re/Evolution" Exhibition: Art as an Exploration and Exposure of Existence
Jenya Stashkov
339
Review
Ksenia Lanikina: Illuminating the Intangible
Jenya Stashkov
318
Review
Jung-Ai Chu: The Silent Poetry of Kyoto Streets
Jenya Stashkov
325
Review
Irina Dengina: Director’s Treatments as a Junction of Design, Marketing, and Contemporary Art
Jenya Stashkov
319
Review
Artistic Reverie: Five Emerging Talents in "A Room of One's Own"
Jenya Stashkov
257
Review
"Nature's Canvas: Contemporary Perspectives" Art Exhibition: Nature as a Paradox and Infinity
Jenya Stashkov
317
Review
Furkan Aydin: Weaving Narratives in Installations
Jenya Stashkov
313
Review
The Silent Echoes of "RUIN": Varvara Zabezhinskaya's Ode to the Invisible Battles
Jenya Stashkov
290
Review
