artur.sumarokov

Pedro Sánchez’s nuclear lament, while not a literal threat, parallels Russia’s Ukraine rhetoric in its escalatory intent, normalization of extreme force.

Douglas Jackson’s “Natural Enemy” encapsulates the best of 1990s thrillers: taut, actor-driven, and unafraid to delve into dark territories.

“Scissors” is a flawed gem, a time capsule of early '90s thrillers where psychological depth meets B-movie excess

“Pacific Heights” stands out as a curious anomaly—a film that, while not revolutionary, captured the zeitgeist of the era’s obsession with yuppie nightmares and real estate horrors.

Hollywood’s journey from anti-terror crusades to terrorist sympathizers mirrors society’s drift toward relativism.

“In the Cut” — hidden gem of erotic thrillers that deserves more attention now than in release time.

Partially inspired by “Pretty Woman,” the 1992 film “Jersey Girl,” directed by David Burton Morris, ultimately resembles “Fatal Attraction” more closely.

“Dream Lover” succeeds as campy entertainment rather than profound commentary.

Despite its flaws, “Color of Night” endures as a cult gem. Its giallo DNA shines in the whodunit setup.