The Royal Academy of Arts in London is set to open "In the Eye of the Storm: Modernism in Ukraine," an exhibition dedicated to Ukrainian modernism of the 1920s. The exhibition features works by artists such as Alexandra Exter and Mykhailo Boychuk, highlighting the unique artistic heritage of Ukraine and the tragic impact of Stalinist repression. This exhibition is an important step in recognizing and re-evaluating Ukraine’s contribution to global art.

One of the critical themes of the exhibition is the independence of Ukrainian artists from the Russian avant-garde, emphasizing their unique contributions to the global art scene. The exhibition reveals how these artists integrated new ideas, combining elements of traditional folk art with modernist forms to create something distinctly Ukrainian.

However, the exhibition also poignantly addresses the brutal repression these artists faced under Stalin’s regime. Many, like Mykhailo Semenko and Anatol Petrytsky, suffered arrest, execution, and the destruction of their works during the purges. This tragic narrative underscores the severe cultural losses inflicted by the political climate of the time.

The exhibition provides a comprehensive analysis of each artist’s work, highlighting their individual contributions and the broader context of Ukrainian modernism. Alexandra Exter’s vibrant and rhythmic pieces stand out for their bold use of color and dynamic composition, while Mykhailo Boychuk’s works offer a unique synthesis of Byzantine iconography and modernist aesthetics.

"In the Eye of the Storm" is not only a celebration of artistic achievement but also a somber reflection on the destructive impact of political repression on culture. It challenges viewers to reconsider stereotypes and gain a deeper understanding of the complex journey of Ukrainian modernism.

This exhibition is a significant step towards recognizing and reevaluating Ukraine’s role in the global art community, offering a powerful reminder of the resilience and creativity of its artists despite historical adversities.

Author: art historian and art critic Madina Ibragimova.