Cinema and Video
The Ontology of Homophobia and Discrimination in Lex Ortega’s Atroz
Atroz is a film that cannot be unseen. It is also a film that, for many, should not be seen. But as a philosophical text, it offers a unique and harrowing ontology of homophobia.
Gore, Pseudosnuff, Splatter: The Ontology of the Body and the Aesthetics of Disgust in the Horror Genre
This article develops a philosophical analysis of three extreme subgenres within horror cinema by interrogating the ontological status of the body and the aesthetics of disgust.
