The text argues that the approach Assia Djebar takes is a feminist and anti-colonial one, and looks into the instruments and methods she uses in order to subvert the power narrative
On the memory gaps in the documentary “Soundtrack to the Coup d’Etat”; Nikita Khrushchev as a Decolonial Manic Pixie Girlfriend; standing ovations for the documentary “Russian at War” and post-left.
From Issue 4—General Public — Summer 2020 (Archive) We discuss WIP of “Unrest”, based on Peter Kropotkin’s time in the Jura mountains, where he meets the workers from the local watchmaking factory
Defining a subgenre in modern horror movies that explores traumatic experiences and provokes catharsis of the audience — how do they work structurally and why do we enjoy A24 so much?
On how Pier Paolo Pasolini and Kenneth Anger modified public attention and criticized media fascism through meta-narratives, parody, and layering semantics onto semantics
Follow us on Patreon to watch a film essay by researcher and director Furqat Palvan-Zade, telling the story about the complex political geographies of Central Eurasia
The text argues that the approach Assia Djebar takes is a feminist and anti-colonial one, and looks into the instruments and methods she uses in order to subvert the power narrative
Documentary film essay about the New Silk Road promoted by the Chinese government that changes logistic strategies, creates new forms of migration, topography and infrastructures
A public talk with Saodat Ismailova, Dr. Marianne Kamp, and Dr. Chloé Drieu, who discuss the history of women’s issue in Central Asia, the Hujum campaign, and its consequences