Bloody Wednesday stands as a curious artifact of 1980s exploitation cinema, a film that leverages the San Ysidro massacre for cheap thrills while stumbling into a narrative of unexpected complexity
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Decolonization essentialize Western thought as evil, trap people in victimhood, invert discrimination, warp history, silence dissent, and push a cultural and economic retreat that stifles growth.
Peter Berg, in his directorial debut, crafted a film that’s equal parts black comedy, horror show, and social satire, even if it doesn’t always know what it wants to be.