Sign Of The Times
Sign of the Times # 3. Pointing at the history
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Interview with Kota Takeuchi. Illusions of war
Sign Of The Times
Sign of the Times # 2. The Trajectory of the Family Past
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Interview with Aisuke Kondo. The Fate of Generations
Poetry
Сьюзен Аллен. Преподавание импровизации в больших ансамблях
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Арфистка, композитор и импровизатор Сьюзен Аллен об опыте преподавания музыкальной импровизации в больших группах в Калифорнийском институте искусств.
Don't be late at Cha..trans..wait!
Petrucciani-97 (pIII)
Неялілья334
penultima of reinterpretranslated interview (don’t ask the vulture, why you see a painted cat)
Don't be late at Cha..trans..wait!
Petrucciani-97 (IIp)
Неялілья237
Aesophreetranslated bits following previous Aesophreetranslated bits
The Art of Montage, Realism, and Media Manipulation in The Last Broadcast
How works one of the most impressive found footage horrors ever
Exploitation, Ambivalence, and Pity: A Critical Analysis of Bloody Wednesday (1988)
Bloody Wednesday stands as a curious artifact of 1980s exploitation cinema, a film that leverages the San Ysidro massacre for cheap thrills while stumbling into a narrative of unexpected complexity
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Dangerous and bad
Nick Vallelonga’s Brilliant Disguise (1994), a low-budget independent thriller running at a taut 95 minutes, is a curious artifact of mid-90s cinema.
