Sliver on the edge
Sliver is not just an erotic thriller but a philosophical text about the nature of human desire, power, and vulnerability.

Colors of night
Despite its flaws, “Color of Night” endures as a cult gem. Its giallo DNA shines in the whodunit setup.

Dangerous and bad
Nick Vallelonga’s Brilliant Disguise (1994), a low-budget independent thriller running at a taut 95 minutes, is a curious artifact of mid-90s cinema.

Too Young to Die? Or not.
“Too Young to Die?” as more than a forgotten TV movie — it’s a mirror to societal flaws, a testament to resilience amid horror.

Dark side of the passion
“In the Cut” — hidden gem of erotic thrillers that deserves more attention now than in release time.

A. C. A. B.
“Unlawful Entry” endures as a compelling study of fear, trust, and authority’s dark side.

Fear and hate in American suburbia
“Pacific Heights” stands out as a curious anomaly—a film that, while not revolutionary, captured the zeitgeist of the era’s obsession with yuppie nightmares and real estate horrors.

Scissors of craziness
“Scissors” is a flawed gem, a time capsule of early '90s thrillers where psychological depth meets B-movie excess

Natural enemy in the family
Douglas Jackson’s “Natural Enemy” encapsulates the best of 1990s thrillers: taut, actor-driven, and unafraid to delve into dark territories.
