Cinema and Video
Past, present, and future of the visual medium
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Cinema and Video
Natural enemy in the family
Douglas Jackson’s “Natural Enemy” encapsulates the best of 1990s thrillers: taut, actor-driven, and unafraid to delve into dark territories.
Cinema and Video
Scissors of craziness
“Scissors” is a flawed gem, a time capsule of early '90s thrillers where psychological depth meets B-movie excess
Cinema and Video
Fear and hate in American suburbia
“Pacific Heights” stands out as a curious anomaly—a film that, while not revolutionary, captured the zeitgeist of the era’s obsession with yuppie nightmares and real estate horrors.
Cinema and Video
A. C. A. B.
“Unlawful Entry” endures as a compelling study of fear, trust, and authority’s dark side.
Cinema and Video
Revisiting "Hostel": Eli Roth's Enduring Cautionary Tale of Horror and Human Depravity – 20 Years Later
“Hostel” as a most important horror of 2000s.
Cinema and Video
Dark side of the passion
“In the Cut” — hidden gem of erotic thrillers that deserves more attention now than in release time.
Cinema and Video
Just ordinary girl in an ordinary world
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Partially inspired by “Pretty Woman,” the 1992 film “Jersey Girl,” directed by David Burton Morris, ultimately resembles “Fatal Attraction” more closely.
Cinema and Video
Woman of his nightmare
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“Dream Lover” succeeds as campy entertainment rather than profound commentary.
Cinema and Video
Colors of night
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Despite its flaws, “Color of Night” endures as a cult gem. Its giallo DNA shines in the whodunit setup.
Cinema and Video
Murder-Set-Pieces asap
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“Murder-Set-Pieces” in its variations encapsulates the spectrum of horror—from tame entertainment to boundary-pushing art
Cinema and Video
Cape fear and responsibility
“Cape Fear” isn’t just a remake; it’s a reinvention, embracing kitsch to dissect trauma’s infectious nature.
Cinema and Video
Cursed Hannah house
Hannah House* is a fascinating experiment in horror cinema, blending the aesthetics of 1910s silent films with the symbolic potency of snakes and the existential dread of Lovecraftian horror.
Cinema and Video
Show and girls
Verhoeven didn’t just “screw Hollywood literally"—he forced it to look in the mirror, revealing the greed, manipulation, and vulnerability behind the glamour.
Cinema and Video
Not plagiarism, but interpolation
Alien 2: On Earth is not just a cheap knockoff but a curious hymn to human ingenuity.
Cinema and Video
Golden rain of jurisprudence
The Rainmaker is more than just a legal thriller; it’s a deeply human story about the fight for justice in a world where money and power often dictate the rules.
