The essay about the survival and future of Crimean indigenous communities inspired by the film Soñ Arif” (“The Last Arif”) CEMAAT; directed by Ernes Sarıhalil with Sevilia Halil and Deli Demir
In Six’s trilogy, horror serves as a tool for deconstructing the humanistic subject: the human, ostensibly the crown of creation, is transformed into a chain.
Dariuss masterfully entwines ontology’s thrown being with hauntology’s spectral calls, rendering grief a machinery where existence is ghostly prosthesis