On the memory gaps in the documentary “Soundtrack to the Coup d’Etat”; Nikita Khrushchev as a Decolonial Manic Pixie Girlfriend; standing ovations for the documentary “Russian at War” and post-left.
On biopolitics of appearing, or terms of participation in public and cultural discourse; and the issues with the adoption of technocratic tools of assessment by artists and activists
In questo intervista con Marco Scotini, l’artista Arsenij Zhilyaev riflette sulla sua mostra Lingua Madre e discute l’uso del bianco nelle sue opere e un “fantasma” dello stalinismo