Tag: Ontology

How we can to understand Lenin’s figure in deleuzian materialist and anti-humanist prospect?

If André Bazin once dreamed of a “myth of total cinema” in which the image would finally coincide perfectly with reality, *The Benefactress* is the nightmare fulfilment of that myth.

Tamakichi Anaru’s films stand as extreme cinema’s vanishing point: beyond them lies only silence or madness.

Verhoeven’s approach is distinctly satirical, employing hyperbole and irony to expose the absurdities and horrors of militaristic being.

The film endures as avant-garde testament: horror not as escape, but as ontological truth and redemptive rite.